Are you tired of Jughead consuming all the burgers when Archie goes out with his girls, Betty and Veronica? Well, even if food will never be out of his brain, you can never deny the fact that in one way or another, you have been reading this paperback story way back in your not-so-long-ago teenage years. However, at this present, there is a new comic tale that can now cater to a wider audience entitled Megatokyo which is available on the internet.
Conceived by the brilliant minds of Fred Gallagher and Rodney Caston, Megatokyo was initially out to the public on August 14, 2000. If you take a closer look on the illustrations, you can depict that the new comic was greatly influenced by Manga, a Japanese term for printed cartoons. On the official page of this virtual creation, one can view updates on a Monday- Wednesday and Friday (MWF) basis. For those that do not have any access to the computer, raw copies can also be purchased where the sales figure even ranked as a best- seller.
The plot of Megatokyo revolves around Piro, a young man who is an enthusiast of animations. He is joined by his friend, Largo, who is an aficionado of video games. This virtual creation most of the time spoofs on clichés and archetypes of disabled dating simulations then directly diverts to the works happening in the real world. Originally, this humor strip took on a format called gag- a- day where the next account was only regarded as a secondary concern.
To the words of Fred Gallagher and Rodney Caston, the first two releases of Megatokyo was drawn to the belief that both of them can work as one. As a matter of fact, Gallagher and Caston did not have any written script yet. Not long after, they divided the assignments, Gallagher focused on the artistic side while Caston was on the playwright aspect. Little did they know, their toil was a major hit that they were even in the same levels with the famous Penny Arcade.
By May of 2002, Mgatokyo was no longer owned by Fred Gallagher and Rodney Caston because Caston sold his shares to Gallagher. Since then, there was one a man behind the success of this virtual creation. There was actually not much of an explanation why Caston was persuaded to let Gallagher obtain his property rights. By January 15, 2005, Gallagher gave a statement that the reason behind Caston leaving the business was because of the comment made by Scott Kurtz of PvP. Kurtz reportedly said that Gallagher stole ownership from Caston.
Image taken from page 567 of ‘[The Beauties of England and Wales; or, Delineations, topographical, historical, and descriptive, of each country. Embellished with engravings. (vol. 1-6 by E. W. Brayley and J. Britton; vol. 7 by E. W. Brayley; vol. 8 by E.
Image by The British Library
Image taken from:
Title: "[The Beauties of England and Wales; or, Delineations, topographical, historical, and descriptive, of each country. Embellished with engravings. (vol. 1-6 by E. W. Brayley and J. Britton; vol. 7 by E. W. Brayley; vol. 8 by E. W. Brayley; vol. 9 by J. Britton; vol. 10, pt. 1, 2, by E. W. Brayley; vol. 10, pt. 3 by the Rev. Joseph Nightingale; vol. 10, pt. 4 by J. Norris Brewer; vol. 11 by the Rev. J. Evans and J. Britton; vol. 12, pt. 1 by the Rev. J. Hodgson and Mr. F. C. Laird; vol. 12, pt. 2 by J. N. Brewer; vol. 13 by the Rev. J. Nightingale; vol. 14 by Frederic Shoberl; vol. 15 by J. Britton, J. Norris Brewer, J. Hodgson, F. C. Laird; vol. 16 by John Bigland; vol. 17 by the Rev. J. Evans; vol. 18 by Thomas Rees.) L.P.]"
Author: Britton, John
Contributor: BIGLAND, John.
Contributor: BRAYLEY, Edward Wedlake.
Contributor: EVANS, John – B.A., of Jesus College, Oxford
Contributor: HODGSON, John – M.R.S.L., Vicar of Hartburn
Contributor: LAIRD, Francis C.
Contributor: NIGHTINGALE, Joseph.
Contributor: REES, Thomas – F.S.A
Shelfmark: "British Library HMNTS 10361.d.1.", "British Library HMNTS 10368.w.41."
Place of Publishing: London
Date of Publishing: 1801
Publisher: Vernor, Hood & Sharpe, etc.
Edition: [Another edition.] Issuance: monographic
Find this item in the British Library catalogue, ‘Explore’.
Open the page in the British Library’s itemViewer (page image 567)
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